gRAPHICaNATOMY

Further art discussions and notifications for the artwork of Sam Thorp

Sunday, January 10, 2016

Drawing everyday

A constant flow of new work. More added everyday.
The eternal beauty of the human figure.
An affordable investment.

http://stores.ebay.com/graphicanatomy/

Labels: art, drawing, figure

posted by Unknown # 7:35 AM 0 Comments

Monday, February 25, 2013

Classical Training vs. Training Wheels

Most people have no idea what I mean when my bio states that I am “classically trained”.
It means traditional, classical techniques. They still have no idea what that means, because it's hardly ever taught any more.

My teacher was Irish/ Italian, but basically the same personality.

One of the things I was taught is that a Painting is made of paint.

And ONLY of paint. We were not allowed to draw on the canvas and then fill it in with paint.

Because that is not a painting.... it's a drawing colored in with paint.

Yes, there IS a difference.

I'm sure a lot of artists and “artists” still draw on the canvas then paint over it.

And sometimes they get away with it.
But when it becomes perfectly obvious..... they have a bad painting.

Allow me to explain.

The #2 pencil is much like a set of training wheels.

We all start out that way. There is no shame in it.

The shame occurs years later when you still have not moved on.
I had training wheels on my first bike. But if I were to go out an make a huge investment in “Big Time” Biking... say a Harley Davidson Super Low Fatboy Softail... I wouldn't want anyone to see me ride with the training wheels still on.

Those who know about bikes will know how ridiculous that is.
And those who know about painting will know when its a pencil drawing colored in with paint.

The #2 pencil is awesome and unifying the most basic and common tool for writing/ drawing/ mark making. But that's also what makes it so bad. It's common. It's basic.

I am quite amused by the number of people who seem perplexed that when I draw, I use color.

As if it never occurred to them to use anything besides the common, basic #2 pencil.

Imagine that, an artist taking a creative approach.

So maybe some artists start their “painting” with a pencil because it never occurs to them to do otherwise.

Sure sketching and working out an idea a head of time IS important.

But when its time to start painting... start by painting.

Consider this: if you can draw that image on the canvas with a pencil, why can't you do it with a brush?

What exactly IS the difference between using a pencil and using a brush?

Is it harder to do with a brush? Does it require a bit more skill?
Is ir fair to say that being able to manipulate a brush and paint with precision equal to a pencil... is that more rare of a skill to have?

So being able to render shapes with a brush is perhaps ..more advanced?

And all those still using pencil is .. more common.. more basic?

Sure some artist can use pencil and make it look good and no one cares about the “purity” of painting being done entirely in paint anyway. Some cover up their pencil skills with paint convincingly. Some think they have found a loop hole with those drawing paint sticks. Some deliberately break this rule ironically and it works in their favor.

But if you are avoiding the paint brush because you are lazy, or fearful, or it's just too darn hard.... chances are those who know.... will know.

If it is “harder” to draw out your image on a canvas with a brush, how will you ever get better painting skills if you keep falling back on your pencil skills?

SO... the painting done entirely in paint is at least trying to be more skillful, more advanced and more rare? And perhaps has a slight edge over the “painting” that is a drawing colored in with paint?

So maybe its time to let go of the #2 pencil AND those drawing oil sticks; and learn some skills.

Labels: classical, drawing, education, painting, skills

posted by Unknown # 8:54 AM 0 Comments

Thursday, April 26, 2012

Why are some people better at drawing?

One of the big influences on my art education was was an early edition of Drawing on the Right side of the Brain by Betty Edwards. Some of the lessons were very important to me because it didn't just teach me how to draw but how to think and to see.

When I teach drawing to beginners I often use an analogy of the Matrix.
At the end of the first movie, the Neo character finally sees the world as what it is…. In his case green code. But when you are able to switch over your vision and think to see the "code" that makes the figure; figure drawing becomes much easier to do.

You have to see what you see…. not what you think you see. Not what you expect to see. you have to really look. With out judgment or expectation and without naming things.
(I still recommend the book. Get an early edition if you can. )

Anyway, turns out there's a bit more science to back this up.

Why are some people better at drawing?

"First, people who can't draw well aren't seeing the world as it really is. When we look at an object, our visual systems automatically misjudge such attributes as size, shape and color; research over the past three years shows at least some of these misperceptions translate into drawing errors."

Yep, they are looking at it without the left side of the brian. Using the skills embedded in the right side, gives you a more accurate, but less verbal view.

The article goes on to suggest memory is also a factory. You look at the model, look down at your paper, and then you've already forgotten what you have seen.
Technique can help with this. Proper set up and posture can help. memory can be improved with practice.

And practice is another vital step.
"Columbia University Press, Chamberlain and her colleagues found practicing drawing significantly improved people's abilities over time"
There's no shortcut to getting out of hard work. You get what you give.

Labels: drawing, psychology

posted by Unknown # 7:29 AM 0 Comments